music APPRECIATION - week 8
(EBOOK: Chapters 25-28)
lecturenotes_h.pdf | |
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musical_forms.pdf | |
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sonata-allegro_chart.pdf | |
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MUSICAL EXAMPLES | ||
Joseph Haydn (1732 - 1809), String Quartet, Op. 76, No. 3 (Emperor), 2nd MMT. (1797). This is in a Theme and Variations form, used quite commonly by Haydn for his 2nd movements. |
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Joseph Haydn, String Quartet, Op. 33, No. 2 (The Joke Quartet and the second of a set of six quartets), 4th MMT. (1781). This movement is written in Rondo form (five-parts: ABACA), typically used in the last movements of musical compositions based on the 4 movement sonata cyle.
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Wolfgang Amadeus Mozart (1756 - 1791), String Quartet No. 21 ("Prussian"), K. 575, MMT. 2 (1789 - begin at 7:45) |
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Mozart, Eine Kleine Nachtmusik, K. 525, MMT. 1 (1787); sonata-allegro form traditionally incorporated for large, first movement compositional forms; string quartet with added double bass (i.e., small chamber orchestra). |
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Mozart, Eine kleine Nachtmusik, K. 525, MMT. 3 (1787); minuet-trio traditionally incorporated for large, third movement compositional forms; string quartet with added double bass (i.e., small chamber orchestra). |
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Haydn, Symphony No. 100 in G Major (Military), MMT. 2 (1794); ABA (+ Coda) form example. Example begins at 7:45. |
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Haydn, Symphony No. 94 in G Major (Surprise Symphony), MMT. 2 (1791); Theme and Variations form, sometimes used especially by Haydn. This is the second of 12 "London" symphonies, so-called because Haydn composed them while in London. |
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Mozart, Symphony #40 in G Minor, K. 550 (1788), MMT. 1 A great example of the Sonata-Allegro form of the Classical period. |
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Ludwig von Beethoven (1770 - 1827), Appassionata Sonata No. 23, Op. 57 (1804 - 1806[?]); notice the 4-note "knocking" or "fate" motive, also an integral part of his Fifth Symphony first movement. |
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Beethoven, Fifth Symphony, Op. 67, in C minor, MMT. 1, 1807-8. |
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Beethoven, Fifth Symphony, Op. 67, in C minor, MMT. 2, 1807-8. |
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Beethoven, Fifth Symphony, Op. 67, in C minor, MMT. 3-4, 1807-8. This video clip contains brief annotated subtitles throughout the performance. |